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SEPTEMBER 2007 |
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Up the Creek What Would the Buddha Do? Why is the planned construction of a Buddha statuetaller than three Statue of Liberties stacked one on top of the othercausing the disenfranchisement of poor Indian farming families? How did a symbol of love come to cause so much suffering? Airmail columnist Jessica Falcone sets out to find an answer to those questions in her column What Would the Buddha Do? On the sixtieth anniversary of the partition of India and Pakistan, Aneesha Capur writes eloquently about the effects an artificial line on a map has on families who live on the wrong side in an excerpt from her novel, In a State of Partition. And reporter Bijan Bayne talks with author and lecturer Sandra Wilson about the Taj Mahal, voted one of the seven new wonders of the world. “Like most people,” says Bayne, “I knew the sound byte about Shah Jahan building the Taj Mahal for his beloved wife who had died giving birth to their thirteenth child. That alone seemed to be undeniable proof of the quality of their relationship. What I hadn’t appreciated then, but do now, is that the Taj Mahal was built within a culture that kept women in harems, denied them public authority, and valued them primarily as being necessary for procreation and as bargaining chips in treaty negotiations. It is mind boggling that in this time, Mumtaz Mahal inspired what we know as the Taj Mahal. It also is important that Shah Jahan, in addition to his strong love, was sure enough of his own position as Emperor to build the breathtaking mausoleum. ” Back in the present, DJ T’challah brings us into his world where the strip club becomes a microcosm of the world at large, and where, among other things, he deals with racism and the wrath of his boss. And staff writer Angela Ajayi shares her provocative interview with Eware X. Osayande. A central figure in the social justice movement out of the city of Philadelphia, PA, Osayande is co-founder and director of POWER (People Organized Working to Eradicate Racism), a grass-roots initiative that educates and empowers participants to resist oppression. Osayande’s latest book of poems, .Blood Luxury., brings the reader to Indonesia, Sierra Leone and Nigeria and back to the U.S. in a hard look at the cost of global capitalism. In mid-September, Wild River Review will continue its series, The Other Side of Abu Ghraib, following yoga teacher Jennifer Schelter to Istanbul where she beings to transcribe the detainees’ testimony. In addition, we’ll talk to Marine Warrant Officer and artist Michael Fay, one of only two active-duty combat artists currently serving in the United States Marine Corps, and photographer Suzanne Opton about their very different portraits of soldiers serving in Afghanistan and Iraq. Their work is exhibited at the James A. Michener Art Museum in Doylestown, PA through October 21, and can be seen online at www.michenermuseum.org/exhibits/ |
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